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Jenny Holzer, It is in Your Self-Interest to Find a Way to Be Very Tender, White Danby marble imperial footstool, 1983-85 (Collection of Jessica and Frank Lonergan).
Jenny Holzer
Jenny Holzer, Living Series
Jenny Holzer Expiring for Love is Beautiful but Stupid.
wetheurban: SPOTLIGHT: Truisms by Jenny Holzer Jenny Holzer is famous for her short statements, formally called ‘truisms’. some are common myths while others are just phrases on random subjects in the form of slogans. Read More
lehroi: Jenny Holzer ‘Truisms’, 1984. Like other artists of her generation, Holzer turned to the strategies of the mass media and advertising in her work. In the late 1970s, she devised nearly 300 aphorisms or slogans, which play on commonly
bodddah: yoaguanto: Jenny Holzer - SURVIVAL, 1983-1985 (exhibited as part of Creative Time’s 42nd Street Project 1993) “Like the Jenny Holzer pieces, you’ve got a lot of people saying, ‘What the fuck is that? What the fuck is that supposed
mementomoriiv:Jenny Holzer - The Living series, 1980-82
every single chance you get XOXO ~ Follow me on Tumblr ~Selena Kitt~
free-parking: Jenny Holzer, from Lustmord, 1993-1994 In her series ‘Lustmord’ — meaning rape murder in German — Holzer created a number of works addressing war crimes in the former Yugoslavia in the 1990s, in particular the violent physical abuse,
SURVIVAL - Jenny Holzer, 1983-1985 (exhibited as part of Creative Time’s 42nd Street Project 1993) “Like the Jenny Holzer pieces, you’ve got a lot of people saying, ‘What the fuck is that? What the fuck is that supposed to mean?’ And it’s
In a dream you saw a way to survive and you were full of joy. Jenny Holzer
jenny-holzer:thinking abt risking it all and becoming an installation wizard
artwomb: Truisms and Inflammatory Essays by Jenny Holzer fucking Jenny Holzer got me in the feels
arthetic: Jenny Holzer
mondrn: Jenny Holzer
nyctaeus: Jenny Holzer, ‘Dust Paintings’, 2014 “Jenny Holzer has used government documents as a source for her work since 2004. Language has been Holzer’s primary medium since the late 1970s. Placed on electronic signs or stone benches, Holzer’s
Jenny Holzer, Installation, Candlestick Park, 1987
rookiemag: yoaguanto: Jenny Holzer - SURVIVAL, 1983-1985 (exhibited as part of Creative Time’s 42nd Street Project 1993) “Like the Jenny Holzer pieces, you’ve got a lot of people saying, ‘What the fuck is that? What the fuck is that supposed
Jenny Holzer, Lustmord, 1993-1994.
yoaguanto: Jenny Holzer - SURVIVAL, 1983-1985 (exhibited as part of Creative Time’s 42nd Street Project 1993) “Like the Jenny Holzer pieces, you’ve got a lot of people saying, ‘What the fuck is that? What the fuck is that supposed to mean?’
Jenny holzer In a dream you saw a way to survive and you were full of joy.
Jenny Holzer, Inflammatory Essays
Jenny Holzer’s marquee installations
klexquisite: sheholdsyoucaptivated: “MY ARROGANCE KNOWS NO BOUNDS AND I WILL MAKE NO PEACE TODAY, AND YOU SHOULD BE SO LUCKY TO FIND A WOMAN LIKE ME” | Jenny Holzer, “Projections” Important note : this is a projection by artist Jenny Holzer,
minaturegolftheory: Inflammatory Essays by Jenny Holzer, 1979-82 I first happened upon Jenny Holzer’s Inflammatory Essays on a street in the Lower east Side, where they belonged, wheat pasted on the plywood covering over a construction site, not
Projections-Siena 2009-Jenny Holzer
Jenny Holzer source
anorsexic: Extracts from the Living series, by Jenny Holzer
excdus:It Is In Your Self-Interest To Find A Way To Be Very Tender Jenny Holzer
mdme-x:Jenny Holzer, Inflammatory Essays, 1991 (excerpt).
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Jenny Holzer, My arrogance knows no bounds and I will make no peace today, and you should be so lucky to find a woman like me
nyctaeus:Jenny Holzer, ‘Lustmord’, Photographs of handwriting in ink on skin, 1994 In ‘Lustmord’ (Lusmord being the German word for sexual violence involving rape), Holzer creates tension through subject matter, which addresses sexual violence. Holzer
DIRTY OLD NEW YORK
tooweak-tosurvive: Jenny Holzer The only time I’ve ever seen this piece is in the *background* to that nirvana photoshoot. Jenny Holzer deserves a lot more credit because her piece is quite profound. Funny how work by a woman is only recognizable
nyctaeus: Jenny Holzer, ‘Lustmord’, Photographs of handwriting in ink on skin, 1994 In ‘Lustmord’ (Lusmord being the German word for sexual violence involving rape), Holzer creates tension through subject matter, which addresses sexual violence. Holzer
Jenny Holzer, Truisms
Jenny Holzer, Times Square Sign. 1982 The language of Truisms, obdurate and internally consistent, heralded a voice that is striking not least for its paradoxical anonymity. Truisms pull no punches and as the title suggests, seem to reflect wisdom long
Jenny Holzer, “Survival Series”
jenny holzer
